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Month: January 2021

Roll Call

January 24, 2021 by christinessin, posted in Uncategorized

Please reply to this post with your name so I know you have found the site. Thanks! Dr. Essin

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Previous essays…

The Critics

  • abbygreen80
    • Dreamers and Outcasts
    • Who am I?
    • The King and I: The Lab Report
  • abigailthyra
    • Racial and Gender Driven Narratives in Miss Saigon
    • Newsies: Is the Ideal Man Too Limiting?
  • alexshen1
    • You Will Regret It If Your Kid Missed Out On This Movie
    • “Motive” and the absence of motif in Miss Saigon
    • Prince Christopher is the definition of charisma. Right?
  • oconneam
    • Children, Choices, and Culture… Oh My!: When Cultural Tradition meets American Ideals in the American Musical
    • Where There is Community, There is Unity
    • The Choosy Challenger: Gender and Racial Tensions within the King and I
  • achamp
    • In the Heights: Representation Done Right
    • Jack-yll and Hyde?
  • amayaallen
    • The Black Magic of The Wiz! Live
    • How Gender, Race and Fashion Intersect in (Ok)lahoma
  • andread3313
    • Why Do I Feel SO MUCH When I Watch “In the Heights”???
    • You’ll Never Guess Who Gets Last on Our Musical Couple Tier List
    • Why Would a Man Even Want a Frothy Little Bubble Anyways?
  • annabelle700
    • How Could You Refuse?: The Resurgence of Barbie Princess and the Pauper in the Pandemic and the Restorative Power of Nostalgia
    • Who Tells Your Story?: Hamilton, Its Ensemble, and Its Legacy
    • The Madame Butterfly Effect
  • apark99
    • Representation of Race + Gender in Cinderella: A Step Forward or Back?
    • Gypsy: Parenting gone wrong, but perhaps not totally
  • audreymolina
    • Racial Stereotypes Need to be Miss SaiGONE from Broadway
    • Shakespeare Would Hate the Hopeful Ending of Gypsy
  • avadevlin123
    • We’re All in This Together… Forever: The Timelessness of High School Musical
    • Self- Preservation or Self- Sabotage: How Ethnicity and Difference Shape the Divide in West Side Story
    • Nothing New(sies) Here: A Failed Attempt at Breaking Gender Stereotypes
  • bellamlachance
    • Who is Considered a True Wildcat at East High?
    • Coming to You Live: The Wiz Live! Black Culture Released
    • Jack and Crutchie take on NEWSIES!
  • Ben Damir
    • Welcome To Berlin
    • Hamilton- Casting, Culture, and Racial Support
    • Anna and Chris: Feminizing the East, and the White Savior Complex
  • bethanydisantis
    • I See You Shiver With Antici…..disappointment
    • Modern Femininity, Mama Rose, and Why She Deserved a Dream for Herself.
  • binulahi
    • Rose: The Flawed Masterpiece of a Mother
  • brannnonn
    • The Wonderful World of The Wiz Live!
  • brendan9143
    • White Supremacy and American Imperialism in Newsies: A Conversation
  • Samantha Brener
    • A Conversation Between Hadley S., Sam B., and Lily H. on The Wiz
    • Tomboys, Brides, and Strippers: Femininity in Oklahoma! and Gypsy
  • Brooke Dennison
    • On Revision:
    • On Voice:
    • On Trust:
  • brycepalmer18
    • ‘Show Boat’ Is Racist AND Boring, And I Don’t Know Which Is Worse
    • Like A Sore Thumb: Why Lin-Manuel Plays the Leads
    • Live in Living Color: Miss Saigon’s ‘American Dream’
  • bunnyunior
    • “I Don’t Dance” – High School Musical 2 and Queer Coding in the early 2000s
    • You’ll Never Guess Who Gets Last on Our Musical Couple Tier List
    • Why Queer People Love Jack Kelly and the Newsies
  • cassajohnson
    • Once a Wildcat, Always a Wildcat
    • How The Original Cast of HAMILTON is a Powerful Display of Community On and Off the Stage
    • Men & Power: Funny Girl and Miss Saigon
  • cgmonaco
    • Through Rose-Tinted Glasses: Looking at a Descent Into Villainy
  • charlottegracelange
    • A Bloody Revolution Means Messy Social Statements
    • Contemporary Communities Don’t Involve… They Exclude
    • Exploring the Varying Levels of Gender and Race Relations Across Musicals
  • chloeanlyn07
    • If Cinderella’s Shoe Fit, Why Did It Fall Off? and Other Questions About the Timeless Tale
    • Chloe’s Crushes: an article about her varying taste in men and how they perpetuate gender roles
  • chloeelee24
    • Mama Rose: Mother or Monster?
  • colegpotrock
    • Not Enough Cake To Go Around: Les Misérables and Culture During Revolutionary France
    • Hamilton: Contradictions that Create a Community
    • “Not Like the Other Girls” – Comparing Funny Girl and Miss Saigon
  • colesherwood
    • A Lasting Legacy
  • conniewuwhatsoever
    • In the Heights, but where is the history?
    • The Prom: Where Realness Was Lost From A Real Story
  • cullenpallen
    • Fiddler on the Roof: Evolution of Tradition through Family
  • Cailin Bracken
    • Urine America: Can’t You Tell?
    • Hamilton: Broadway’s Most Disappointing Performance of Progressive Feminism
    • Performing The Patriarchy: Oppression on Broadway
  • devinbjr
    • Breaking Stereotypes In High School Musical
    • Essay 1:Identity on the Musical Stage
  • dondon615
    • I love snow white, so I must critique it:
    • The West Side Story and Us
    • I LOVE THIS CINDERELLA MOVIE SO I HAVE TO CRITIQUE IT
  • Esther Ayoade
    • “We’re All In This Together”…Unless You’re a POC- By Seli Buatsi & Esther Ayoade
    • Puerto Ricans Are The Odd Ones Out
    • Just Another Cinderella Story-Esther Ayoade
  • ejewkim
    • Miss Saigon Shows More Power in the Form of a Broadway Musical than Pad Thai
    • Gypsy asks: Are you REALLY unbiased?
  • elisedarbyy
    • Not So Blonde After All
    • Forbidden Love: Maria as Pocahontas
    • Funny Girls Break Glass Ceilings
  • Elise Miller
    • Bring Back Manly Men
  • christinessin
    • Roll Call
    • Strangely enough, this white lady doesn’t belong…
    • Writing about performance…
  • Courtney Ellis
    • Paving The Way for Strong Women
  • emmaalexanderr
    • Everyone Deserves to be a Princess: An Analysis of Colorblind Casting in Cinderella
    • The Patriarchy Works Hard but Bette Midler Works Harder
  • emrl12
    • In The Heights: Being Reminded How Proud I am to be Puerto Rican
    • Forced Romance- The Undoing of Jeff Calhoun’s Newsies
  • figaroca
    • Black at East High? Good luck.
    • BOGO: Rose Colored Glasses for Sale in Hamilton!
    • Everyone’s a Little Bit Racist- and Broadway a Little Bit More
  • graceallaman
    • The Wiz Live!: Exploring Representation of Black Women On Stage
  • graceknor
    • Reb Tevye: A Patriarch But Not A Misogynist (Feat. My Patriarch)
    • Why We Love The Engineer’s Character Despite His Disgusting and Deplorable Characteristics
    • The Angel and The Deviant: Racialized Representations of Womanhood in Newsies
  • grn727
    • Behind the White Curtain: A Look into Racial Representation in Miss Saigon.
  • haleyyhopkins
    • Brandy’s Wearing the Glass Slippers: The Importance of Representation in Cinderella (1997)
  • Will Henke
    • Our Founding Fathers Were Bad Dads
    • The Symbiosis of Sexism and Saigon
  • hfisher32
    • Cinderella: Race Representation on a New Level
    • The Newsies of Oklahoma!
  • ilanacohen3
    • The Right and Wrong Side of History
    • West Side Story: The Tale of Two Ensembles
    • Women and their Destinies: Agency (or Lack Thereof) for Women on the Broadway Stage
  • iristseng1
    • The Clouds Between the Sun and Moon
    • Who would you swipe right on, Jack Kelly or Crutchie?
  • Jansen
    • Review of “Newsies”
    • “Miss Saigon”: The Role of Power and the Patriarchy
    • The PROM Character Analysis
  • jesszhang782
    • Cultural Relevance? Not in Paris
    • Gender Representation in The Prom, But Give it Some Zazz
  • jillyfuller
    • All That Jazz
    • Never Satisfied: Race, Gender, and Contending with America’s True History
    • His Love Makes Me Beautiful: Race, Gender, and Relationships in ‘Funny Girl’
  • jlundquist00
    • The Wiz: The Journey of Black America Behind the Curtain
  • juyoungkim304
    • A Eulogy for My Hometown Store – In the Heights and Community
    • Cinderella: A new decade, a new way to love you
  • kacyljones
    • You’ve Heard of the Military Industrial Complex, But Have You Ever Heard of Empathy?
    • You (Don’t) Belong with Me: Senseless Racism in the Face of Eastern European Jewish Culture
    • American Man Discovers a Vietnamese Woman is a Human (Not Clickbait)
  • kaiciekidd
    • Resolved? How West Side Story Uses Music and More to Display its Message. (Podcast Episode)
  • kaylaeasonvanderbiltedu
    • Is “The Greatest Showman” the Greatest Show? by Kayla Eason
    • Hamilton: New Age America
    • The Power of Race in Women
  • kberlatsky1
    • Dumb Cr*p’s Just Too Damn Slow
    • Who Cares About Patriarchy?
    • The Weapon of Womanhood
  • khinchey99
    • “The Sex” Might be “in the Heel,” but Courage is in the Acceptance of Others
    • If Anatevka were a Bridge, Tradition would be the Keystone
    • Women on Broadway: Fetishized and Tokenized
  • kraftvr
    • Beautiful All Along? Gypsy, Beauty Standards, and Expectations of Femininity
  • Margaret Mershon
    • Men: Can’t Live with ’em
    • The Heights of Controversy: Lin-Manuel Miranda Made A Mistake
    • I’m Too Sexy: A Woman’s Guide to Being Perceived
  • margiejohns2
    • Shattering the Patriarchy One Wildcat at a Time: How High School Musical’s Troy Bolton Slam Dunks Gender Norms
    • Jets Side Story
    • The Queen and I
  • Matt Eyles
    • The Wiz: a truly black narrative – Matt Eyles, Noa Adomakoh, Elise Miller
    • From Leading Man to Leading Boy: a look at the “ideal male” throughout broadway history
  • matthewarcuri
    • Harry Potter and the Riddikulus Musical
    • Fiddling with Hamilton
  • mayaparness
    • The Fifth Jew In A Room, Bitching
    • Fiddler on the Roof Makes Me Proud to Be a Jewish Woman
    • The Silence of White Violence: Racialized Perceptions of Masculine Aggression in Miss Saigon
  • megantwalters
    • High School Musical and ‘Sticking to the Status Quo’
    • THE World Famous Podcast takes on West Side Story
    • Love Thy Neighbor
  • meggraziano
    • 2013 Cinderella: A Diversified Take on a Classic Fairytale
  • Melissa Dunn
    • Ryan Murphy Wants to Build a Very Large Prom (Podcast Episode)
    • How Hamilton Became the First Musical of the Trump Era
    • It’s the Subtle Racism for Me: How Miss Saigon Fails Minorities
  • meredithsalmon
    • How to Balance Culture and Other Themes in Fiddler on the Roof
    • “GET YOUR PAPES RIGHT HERE”
  • morganebaxendalevanderbiltedu
    • How One of the “Nicest Kids in Town” Helped Turn Segregation into Integration (Hairspray)
    • Did Real Community Exist on the Upper West Side?
    • Defending What You Know Best (The King and I )
  • Kate Murphy
    • Tradition(s?): The Limitations of Fiddler on the Roof
    • Newsboys to OklahoMen
  • peachzreviews
    • The Power of Black Excellence in a Musical Production
    • World’s Best Mama
  • Myles Stute
    • Rogers and Hammerstein’s Cinderella – Myles and Tyrin
  • natalievitols
    • Fiddler on the Roof: How Ethnicity Molds Identity
  • nateclifton
    • Shrek if it was reimagined in 2021
    • The Modernized Cinderella
  • nelsonberkwich
    • Essay 2 Podcast
  • Kevin Nguyen
    • Men of Red White and Blue: Saints or Sinners?
    • Laurey, What Happened to You
  • nicoleanderson2020
    • How to be a bad person and get away with it: An essay by Evan Hansen.
    • Miscarriage of Representation: Miss Saigon’s Shortcomings
    • Folks, we finally got a headline: Women only exist to serve Men
  • noachiara
    • Newsies was a Dream, but Dreams can also Include Nightmares
  • odonofrio
    • “You Wouldn’t Stab a Child!”: A Discussion on Race, Gender, and Sexuality in Miss Saigon
    • Katherine Deserved Better: How Newsies Fails at Feminism
  • oheaner
    • It Ain’t Over Till The Fat Lady Sings: An Opera Singer’s Take on Phantom of the Opera
    • “If We Are Like You In The Rest, We Will Resemble You In That”: Belonging in Fiddler On The Roof
    • The Musical Fetishization and Appropriation of Asian Cultures
  • osigweec
    • How to Be an Ally 101
    • You Can’t Sit With Us: A White Man’s Tale of Othering
    • Toxic Masculinity in A Tux
  • paige.adams
    • Jack + Rose (+ huge age gap + no love affair + no boat)
  • patreillyy
    • Classical Rendition Meets Modern Ideals: Cinderella the 1997 Remake
  • peytonboyd
    • Why Is Donkey Always Black?
    • Carnaval del Progreso: Almost There, But Not Quite
    • Miss Saigon, Where Do We Go From Here?
  • pmazagwu
    • Black Representation in The Wiz Live!
    • Masculinity and its Many Forms in Newsies!
  • Caroline Pope
    • “How Do You Like Them Eggrolls, Mr. Goldman?”: Female Sexuality as a Means to Power in a Male-Dominated World
  • priyasankaran1
    • A Marxist Reading of Les Misérables
    • Soup or Salad? West Side Story and American Multiculturalism
    • A nightmare on Saigon street: Orientalism and the American musical
  • remikw1
    • High School Musical: The Musical: The Essay: A Musical of a Generation
    • All (white) Men Are Created Equal
    • The Downfall of Feminism in Theatre
  • remyricciardi
    • Stereotypes Imbedded Into Barry Glickman; The Prom
  • Rose Nguyen
    • Grammar matters: Dear Evan Hansen and the appeal of the passive voice
    • A dot Ham v A dot Burr: Narrative foils in the American dream of Hamilton: An American Musical
    • The art of being different in Miss Saigon: There is one acceptable way to be a woman of color under colonialism. Except she died.
  • Ryan Stefiuk
    • Miss Saigon
  • Samuel Goodyear-Brown
    • I Just Really Love White Christmas
    • Not Too Lesbian for a Kids’ Movie – Where The Prom Went Wrong
  • sbhuntley
    • The White Gaze Strikes Again: How Memphis (And Broadway) Fails to Tell the Stories of People of Color
    • Tradition! Fiddler on the Roof’s Protection (And Deconstruction) of the Patriarchy
    • “Western People Funny”: How Anna’s White Influence Led to Tuptim’s Downfall in The King and I
  • schuylerkresge
    • But Hey, It Sells Papes- A Podcast With Myself
    • You’re Probably Wrong and It’s Not Your Fault
    • A Puzzlement – How America’s Brand of Toxic Masculinity Slithers Through Broadway
  • Schyler Rowland
    • (Leo) Frank-ly, Parade Doesn’t Give a Damn
    • It’s Always Hamiltime for Some Hamildiversity
    • Love in the Fall of Saigon
  • scottpdouglas1
    • Anatevka – The Unbreakable
    • Miss Saigon – An Epic Story of Stereotypes
  • selibuatsi
    • History In Color
    • The White Woman Will Always Win- How White Privilege Hinders Feminism
  • sisungaj
    • If In the Heights Was Set in New Orleans
    • “The Fall of [Miss] Saigon”: Racism and Representation
    • Katherine Plumber: Feminist Icon for the Patriarchy
  • sjcohen0710
    • Miss Saigon: Why We’re More Obsessed with America than Anything Else
    • What a Man, What a Man… Wait, Which One Are You Talking About?
  • sleuthsr21
    • (The Expectation of ) How To Be Your Own Man
  • starmatthew1
    • Miss Saigon: Put Simply, Why?
    • Dear Broadway: If You Hate Women, Just Say That
  • stevewang34
    • I’ll Make a (Wo)Man Out of You
    • Don’t be Gay in Indiana (or as a Straight Man)
  • tinahle1
    • Miss Saigon: Asian Representation Manufactured by American Entertainment
  • tobiakisanya
    • “Outcast on the Outskirts”
    • When Centuries Collide: Hamilton in the 21st Century.
    • “The Complexities of The Patriarchy on the Modern Stage”
  • warddavid
    • Sit Down, You’re Rockin’ the Boat of Progress
    • Anna, Fanny, and a Puzzlement Concerning Powerful Women
  • willijp8
    • What it might mean to be an American
  • willshep14
    • Will Sheppard: Blackness Within the Princess and the Frog
    • Stereotypes Within The Prom
  • wslopes
    • The Idealism of Jack Kelly
  • Xinyi Wang
    • To Live, Love, Fight on No Day but Today.
    • Takeaways from : Appreciation, Respect, and Ambition
    • “Bread and Love” of Two Female Characters in American Musicals
  • zmulraine
    • High School Musical: Is the Status Quo Worth Sticking To?
    • To Be(long) or Not to Be(long): Fitting in through the Lens of Hamilton
    • The Savior and the Saved: How White Feminism Victimizes Women of Color on Broadway
  • zoeantell
    • The Wiz Live – A Tribute to Black Culture
    • The Ironic Duality: Newsies fight to break the system while perpetuating another

Character Identity

  • Ensembles
  • Musical characters
  • Uncategorized
  • Writing Guides

Previous essays…

  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • May 2021
  • April 2021
  • March 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • August 2020

The Critics

  • abbygreen80
    • Dreamers and Outcasts
    • Who am I?
    • The King and I: The Lab Report
  • abigailthyra
    • Racial and Gender Driven Narratives in Miss Saigon
    • Newsies: Is the Ideal Man Too Limiting?
  • alexshen1
    • You Will Regret It If Your Kid Missed Out On This Movie
    • “Motive” and the absence of motif in Miss Saigon
    • Prince Christopher is the definition of charisma. Right?
  • oconneam
    • Children, Choices, and Culture… Oh My!: When Cultural Tradition meets American Ideals in the American Musical
    • Where There is Community, There is Unity
    • The Choosy Challenger: Gender and Racial Tensions within the King and I
  • achamp
    • In the Heights: Representation Done Right
    • Jack-yll and Hyde?
  • amayaallen
    • The Black Magic of The Wiz! Live
    • How Gender, Race and Fashion Intersect in (Ok)lahoma
  • andread3313
    • Why Do I Feel SO MUCH When I Watch “In the Heights”???
    • You’ll Never Guess Who Gets Last on Our Musical Couple Tier List
    • Why Would a Man Even Want a Frothy Little Bubble Anyways?
  • annabelle700
    • How Could You Refuse?: The Resurgence of Barbie Princess and the Pauper in the Pandemic and the Restorative Power of Nostalgia
    • Who Tells Your Story?: Hamilton, Its Ensemble, and Its Legacy
    • The Madame Butterfly Effect
  • apark99
    • Representation of Race + Gender in Cinderella: A Step Forward or Back?
    • Gypsy: Parenting gone wrong, but perhaps not totally
  • audreymolina
    • Racial Stereotypes Need to be Miss SaiGONE from Broadway
    • Shakespeare Would Hate the Hopeful Ending of Gypsy
  • avadevlin123
    • We’re All in This Together… Forever: The Timelessness of High School Musical
    • Self- Preservation or Self- Sabotage: How Ethnicity and Difference Shape the Divide in West Side Story
    • Nothing New(sies) Here: A Failed Attempt at Breaking Gender Stereotypes
  • bellamlachance
    • Who is Considered a True Wildcat at East High?
    • Coming to You Live: The Wiz Live! Black Culture Released
    • Jack and Crutchie take on NEWSIES!
  • Ben Damir
    • Welcome To Berlin
    • Hamilton- Casting, Culture, and Racial Support
    • Anna and Chris: Feminizing the East, and the White Savior Complex
  • bethanydisantis
    • I See You Shiver With Antici…..disappointment
    • Modern Femininity, Mama Rose, and Why She Deserved a Dream for Herself.
  • binulahi
    • Rose: The Flawed Masterpiece of a Mother
  • brannnonn
    • The Wonderful World of The Wiz Live!
  • brendan9143
    • White Supremacy and American Imperialism in Newsies: A Conversation
  • Samantha Brener
    • A Conversation Between Hadley S., Sam B., and Lily H. on The Wiz
    • Tomboys, Brides, and Strippers: Femininity in Oklahoma! and Gypsy
  • Brooke Dennison
    • On Revision:
    • On Voice:
    • On Trust:
  • brycepalmer18
    • ‘Show Boat’ Is Racist AND Boring, And I Don’t Know Which Is Worse
    • Like A Sore Thumb: Why Lin-Manuel Plays the Leads
    • Live in Living Color: Miss Saigon’s ‘American Dream’
  • bunnyunior
    • “I Don’t Dance” – High School Musical 2 and Queer Coding in the early 2000s
    • You’ll Never Guess Who Gets Last on Our Musical Couple Tier List
    • Why Queer People Love Jack Kelly and the Newsies
  • cassajohnson
    • Once a Wildcat, Always a Wildcat
    • How The Original Cast of HAMILTON is a Powerful Display of Community On and Off the Stage
    • Men & Power: Funny Girl and Miss Saigon
  • cgmonaco
    • Through Rose-Tinted Glasses: Looking at a Descent Into Villainy
  • charlottegracelange
    • A Bloody Revolution Means Messy Social Statements
    • Contemporary Communities Don’t Involve… They Exclude
    • Exploring the Varying Levels of Gender and Race Relations Across Musicals
  • chloeanlyn07
    • If Cinderella’s Shoe Fit, Why Did It Fall Off? and Other Questions About the Timeless Tale
    • Chloe’s Crushes: an article about her varying taste in men and how they perpetuate gender roles
  • chloeelee24
    • Mama Rose: Mother or Monster?
  • colegpotrock
    • Not Enough Cake To Go Around: Les Misérables and Culture During Revolutionary France
    • Hamilton: Contradictions that Create a Community
    • “Not Like the Other Girls” – Comparing Funny Girl and Miss Saigon
  • colesherwood
    • A Lasting Legacy
  • conniewuwhatsoever
    • In the Heights, but where is the history?
    • The Prom: Where Realness Was Lost From A Real Story
  • cullenpallen
    • Fiddler on the Roof: Evolution of Tradition through Family
  • Cailin Bracken
    • Urine America: Can’t You Tell?
    • Hamilton: Broadway’s Most Disappointing Performance of Progressive Feminism
    • Performing The Patriarchy: Oppression on Broadway
  • devinbjr
    • Breaking Stereotypes In High School Musical
    • Essay 1:Identity on the Musical Stage
  • dondon615
    • I love snow white, so I must critique it:
    • The West Side Story and Us
    • I LOVE THIS CINDERELLA MOVIE SO I HAVE TO CRITIQUE IT
  • Esther Ayoade
    • “We’re All In This Together”…Unless You’re a POC- By Seli Buatsi & Esther Ayoade
    • Puerto Ricans Are The Odd Ones Out
    • Just Another Cinderella Story-Esther Ayoade
  • ejewkim
    • Miss Saigon Shows More Power in the Form of a Broadway Musical than Pad Thai
    • Gypsy asks: Are you REALLY unbiased?
  • elisedarbyy
    • Not So Blonde After All
    • Forbidden Love: Maria as Pocahontas
    • Funny Girls Break Glass Ceilings
  • Elise Miller
    • Bring Back Manly Men
  • christinessin
    • Roll Call
    • Strangely enough, this white lady doesn’t belong…
    • Writing about performance…
  • Courtney Ellis
    • Paving The Way for Strong Women
  • emmaalexanderr
    • Everyone Deserves to be a Princess: An Analysis of Colorblind Casting in Cinderella
    • The Patriarchy Works Hard but Bette Midler Works Harder
  • emrl12
    • In The Heights: Being Reminded How Proud I am to be Puerto Rican
    • Forced Romance- The Undoing of Jeff Calhoun’s Newsies
  • figaroca
    • Black at East High? Good luck.
    • BOGO: Rose Colored Glasses for Sale in Hamilton!
    • Everyone’s a Little Bit Racist- and Broadway a Little Bit More
  • graceallaman
    • The Wiz Live!: Exploring Representation of Black Women On Stage
  • graceknor
    • Reb Tevye: A Patriarch But Not A Misogynist (Feat. My Patriarch)
    • Why We Love The Engineer’s Character Despite His Disgusting and Deplorable Characteristics
    • The Angel and The Deviant: Racialized Representations of Womanhood in Newsies
  • grn727
    • Behind the White Curtain: A Look into Racial Representation in Miss Saigon.
  • haleyyhopkins
    • Brandy’s Wearing the Glass Slippers: The Importance of Representation in Cinderella (1997)
  • Will Henke
    • Our Founding Fathers Were Bad Dads
    • The Symbiosis of Sexism and Saigon
  • hfisher32
    • Cinderella: Race Representation on a New Level
    • The Newsies of Oklahoma!
  • ilanacohen3
    • The Right and Wrong Side of History
    • West Side Story: The Tale of Two Ensembles
    • Women and their Destinies: Agency (or Lack Thereof) for Women on the Broadway Stage
  • iristseng1
    • The Clouds Between the Sun and Moon
    • Who would you swipe right on, Jack Kelly or Crutchie?
  • Jansen
    • Review of “Newsies”
    • “Miss Saigon”: The Role of Power and the Patriarchy
    • The PROM Character Analysis
  • jesszhang782
    • Cultural Relevance? Not in Paris
    • Gender Representation in The Prom, But Give it Some Zazz
  • jillyfuller
    • All That Jazz
    • Never Satisfied: Race, Gender, and Contending with America’s True History
    • His Love Makes Me Beautiful: Race, Gender, and Relationships in ‘Funny Girl’
  • jlundquist00
    • The Wiz: The Journey of Black America Behind the Curtain
  • juyoungkim304
    • A Eulogy for My Hometown Store – In the Heights and Community
    • Cinderella: A new decade, a new way to love you
  • kacyljones
    • You’ve Heard of the Military Industrial Complex, But Have You Ever Heard of Empathy?
    • You (Don’t) Belong with Me: Senseless Racism in the Face of Eastern European Jewish Culture
    • American Man Discovers a Vietnamese Woman is a Human (Not Clickbait)
  • kaiciekidd
    • Resolved? How West Side Story Uses Music and More to Display its Message. (Podcast Episode)
  • kaylaeasonvanderbiltedu
    • Is “The Greatest Showman” the Greatest Show? by Kayla Eason
    • Hamilton: New Age America
    • The Power of Race in Women
  • kberlatsky1
    • Dumb Cr*p’s Just Too Damn Slow
    • Who Cares About Patriarchy?
    • The Weapon of Womanhood
  • khinchey99
    • “The Sex” Might be “in the Heel,” but Courage is in the Acceptance of Others
    • If Anatevka were a Bridge, Tradition would be the Keystone
    • Women on Broadway: Fetishized and Tokenized
  • kraftvr
    • Beautiful All Along? Gypsy, Beauty Standards, and Expectations of Femininity
  • Margaret Mershon
    • Men: Can’t Live with ’em
    • The Heights of Controversy: Lin-Manuel Miranda Made A Mistake
    • I’m Too Sexy: A Woman’s Guide to Being Perceived
  • margiejohns2
    • Shattering the Patriarchy One Wildcat at a Time: How High School Musical’s Troy Bolton Slam Dunks Gender Norms
    • Jets Side Story
    • The Queen and I
  • Matt Eyles
    • The Wiz: a truly black narrative – Matt Eyles, Noa Adomakoh, Elise Miller
    • From Leading Man to Leading Boy: a look at the “ideal male” throughout broadway history
  • matthewarcuri
    • Harry Potter and the Riddikulus Musical
    • Fiddling with Hamilton
  • mayaparness
    • The Fifth Jew In A Room, Bitching
    • Fiddler on the Roof Makes Me Proud to Be a Jewish Woman
    • The Silence of White Violence: Racialized Perceptions of Masculine Aggression in Miss Saigon
  • megantwalters
    • High School Musical and ‘Sticking to the Status Quo’
    • THE World Famous Podcast takes on West Side Story
    • Love Thy Neighbor
  • meggraziano
    • 2013 Cinderella: A Diversified Take on a Classic Fairytale
  • Melissa Dunn
    • Ryan Murphy Wants to Build a Very Large Prom (Podcast Episode)
    • How Hamilton Became the First Musical of the Trump Era
    • It’s the Subtle Racism for Me: How Miss Saigon Fails Minorities
  • meredithsalmon
    • How to Balance Culture and Other Themes in Fiddler on the Roof
    • “GET YOUR PAPES RIGHT HERE”
  • morganebaxendalevanderbiltedu
    • How One of the “Nicest Kids in Town” Helped Turn Segregation into Integration (Hairspray)
    • Did Real Community Exist on the Upper West Side?
    • Defending What You Know Best (The King and I )
  • Kate Murphy
    • Tradition(s?): The Limitations of Fiddler on the Roof
    • Newsboys to OklahoMen
  • peachzreviews
    • The Power of Black Excellence in a Musical Production
    • World’s Best Mama
  • Myles Stute
    • Rogers and Hammerstein’s Cinderella – Myles and Tyrin
  • natalievitols
    • Fiddler on the Roof: How Ethnicity Molds Identity
  • nateclifton
    • Shrek if it was reimagined in 2021
    • The Modernized Cinderella
  • nelsonberkwich
    • Essay 2 Podcast
  • Kevin Nguyen
    • Men of Red White and Blue: Saints or Sinners?
    • Laurey, What Happened to You
  • nicoleanderson2020
    • How to be a bad person and get away with it: An essay by Evan Hansen.
    • Miscarriage of Representation: Miss Saigon’s Shortcomings
    • Folks, we finally got a headline: Women only exist to serve Men
  • noachiara
    • Newsies was a Dream, but Dreams can also Include Nightmares
  • odonofrio
    • “You Wouldn’t Stab a Child!”: A Discussion on Race, Gender, and Sexuality in Miss Saigon
    • Katherine Deserved Better: How Newsies Fails at Feminism
  • oheaner
    • It Ain’t Over Till The Fat Lady Sings: An Opera Singer’s Take on Phantom of the Opera
    • “If We Are Like You In The Rest, We Will Resemble You In That”: Belonging in Fiddler On The Roof
    • The Musical Fetishization and Appropriation of Asian Cultures
  • osigweec
    • How to Be an Ally 101
    • You Can’t Sit With Us: A White Man’s Tale of Othering
    • Toxic Masculinity in A Tux
  • paige.adams
    • Jack + Rose (+ huge age gap + no love affair + no boat)
  • patreillyy
    • Classical Rendition Meets Modern Ideals: Cinderella the 1997 Remake
  • peytonboyd
    • Why Is Donkey Always Black?
    • Carnaval del Progreso: Almost There, But Not Quite
    • Miss Saigon, Where Do We Go From Here?
  • pmazagwu
    • Black Representation in The Wiz Live!
    • Masculinity and its Many Forms in Newsies!
  • Caroline Pope
    • “How Do You Like Them Eggrolls, Mr. Goldman?”: Female Sexuality as a Means to Power in a Male-Dominated World
  • priyasankaran1
    • A Marxist Reading of Les Misérables
    • Soup or Salad? West Side Story and American Multiculturalism
    • A nightmare on Saigon street: Orientalism and the American musical
  • remikw1
    • High School Musical: The Musical: The Essay: A Musical of a Generation
    • All (white) Men Are Created Equal
    • The Downfall of Feminism in Theatre
  • remyricciardi
    • Stereotypes Imbedded Into Barry Glickman; The Prom
  • Rose Nguyen
    • Grammar matters: Dear Evan Hansen and the appeal of the passive voice
    • A dot Ham v A dot Burr: Narrative foils in the American dream of Hamilton: An American Musical
    • The art of being different in Miss Saigon: There is one acceptable way to be a woman of color under colonialism. Except she died.
  • Ryan Stefiuk
    • Miss Saigon
  • Samuel Goodyear-Brown
    • I Just Really Love White Christmas
    • Not Too Lesbian for a Kids’ Movie – Where The Prom Went Wrong
  • sbhuntley
    • The White Gaze Strikes Again: How Memphis (And Broadway) Fails to Tell the Stories of People of Color
    • Tradition! Fiddler on the Roof’s Protection (And Deconstruction) of the Patriarchy
    • “Western People Funny”: How Anna’s White Influence Led to Tuptim’s Downfall in The King and I
  • schuylerkresge
    • But Hey, It Sells Papes- A Podcast With Myself
    • You’re Probably Wrong and It’s Not Your Fault
    • A Puzzlement – How America’s Brand of Toxic Masculinity Slithers Through Broadway
  • Schyler Rowland
    • (Leo) Frank-ly, Parade Doesn’t Give a Damn
    • It’s Always Hamiltime for Some Hamildiversity
    • Love in the Fall of Saigon
  • scottpdouglas1
    • Anatevka – The Unbreakable
    • Miss Saigon – An Epic Story of Stereotypes
  • selibuatsi
    • History In Color
    • The White Woman Will Always Win- How White Privilege Hinders Feminism
  • sisungaj
    • If In the Heights Was Set in New Orleans
    • “The Fall of [Miss] Saigon”: Racism and Representation
    • Katherine Plumber: Feminist Icon for the Patriarchy
  • sjcohen0710
    • Miss Saigon: Why We’re More Obsessed with America than Anything Else
    • What a Man, What a Man… Wait, Which One Are You Talking About?
  • sleuthsr21
    • (The Expectation of ) How To Be Your Own Man
  • starmatthew1
    • Miss Saigon: Put Simply, Why?
    • Dear Broadway: If You Hate Women, Just Say That
  • stevewang34
    • I’ll Make a (Wo)Man Out of You
    • Don’t be Gay in Indiana (or as a Straight Man)
  • tinahle1
    • Miss Saigon: Asian Representation Manufactured by American Entertainment
  • tobiakisanya
    • “Outcast on the Outskirts”
    • When Centuries Collide: Hamilton in the 21st Century.
    • “The Complexities of The Patriarchy on the Modern Stage”
  • warddavid
    • Sit Down, You’re Rockin’ the Boat of Progress
    • Anna, Fanny, and a Puzzlement Concerning Powerful Women
  • willijp8
    • What it might mean to be an American
  • willshep14
    • Will Sheppard: Blackness Within the Princess and the Frog
    • Stereotypes Within The Prom
  • wslopes
    • The Idealism of Jack Kelly
  • Xinyi Wang
    • To Live, Love, Fight on No Day but Today.
    • Takeaways from : Appreciation, Respect, and Ambition
    • “Bread and Love” of Two Female Characters in American Musicals
  • zmulraine
    • High School Musical: Is the Status Quo Worth Sticking To?
    • To Be(long) or Not to Be(long): Fitting in through the Lens of Hamilton
    • The Savior and the Saved: How White Feminism Victimizes Women of Color on Broadway
  • zoeantell
    • The Wiz Live – A Tribute to Black Culture
    • The Ironic Duality: Newsies fight to break the system while perpetuating another

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